demo diary

a new song demo every fortnight I'm a big believer in trying to write songs that other people will enjoy and appreciate, and rather than guess whether you will like them or not, I figured I'd just ask you. So, every fortnight, I'm going to upload a new song demo in the hope that you'll have a listen and offer some feedback. I won't record them all properly, so your comments will be really useful in giving me some idea which ones are worth investing more time in. They are DEMOs in raw form so they'll be basic one instrument and vocal productions with, dare I say it, the occasional flat note here and there. They are carefully placed to create authenticity, honest. They are not supposed to sound produced, because that would require a budget, and I can't afford a budget. Please click on the demo diary link above and have a listen at your leisure......

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Danny%20Cope
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Righting Wrongs in Writing Songs

righting wrongs coverHi. I’ve got a book out! It’s the product of the lecturing in Songwriting that I’ve been doing recently combined with fruitful conversations with a publisher. They decided that they liked me and went on to decide that they would print my thoughts on several sheets of paper. It’s called ‘Righting Wrongs in Writing Songs’ and does pretty much what it says on the cover. It’s approx 339 pages long and deals with all sorts of songwriting conundrums. Please click here to be forwarded to amazon.co.uk if you are interested.

Ta muchly

D

latest: live review from greenbelt ‘09

DANNY COPE – Performance Café – 4pm
Danny has a winsomely modest persona that from the off engaged the audience – “I was introduced as an ‘intellectual’ – don’t believe a word of it.” Wakefield-based Danny had hoped to play Greenbelt with a band but is just as effective as one-man-and-acoustic, his smooth and tuneful voice effortlessly registering his memorable lyrics with the audience as he sang, “I must be lazy, or crazy or a bit of both.” He introduced one of his oldies “Sandcastles” with an amusing explanation of the different Northern and Southern pronunciations of “castles” then sat at the piano for a song before breaking into one of his best compositions, “You Colour Me In”. No wonder Danny has a job teaching songwriting skills to others. Seemingly every line from this consummate songsmith shone with insight and an easy eloquence while his melodies were fresh and memorable. With so many Christian singer/songwriters opting for either the clichés of Bible paraphrases or the confusing obliqueness of obscure metaphor, Danny’s deft fusion of spirituality and songwriting craft could only be admired. No wonder the audience clapped long and hard at the close.
Tony Cummings